Books to Add to Your Reading Pile

April 7, 2021 Tambra Nicole Kendall

Hello everyone,

I hope all of you are healthy and doing well. I’m on the waiting list to get my Covid vaccination. Hope it’s soon.

I wanted to let y’all know of some new book and upcoming releases.

Photo by Ichad Windhiagiri on

Tambra’s Author Suggestions

Judythe Morgan

Fitzpatrick Family Series: Eight Preacher Kids Each with a Sweet Love Story of their own.

Sarah & Nick

Sarah Fitzpatrick, pianist extraordinaire, gave up on true love when her high school boyfriend, Nick Stephens, ran off to marry his pregnant ex-girlfriend.

Nick’s daughter shows up in her music class eleven years later. One look at the man, and old dreams come back to life. She must find a way to keep the little girl and Nick out of her heart. She won’t risk losing everything again.

Nick Stephens has other plans. Sarah is, and always has been, the love of his life and he’s back in Burton, TX to prove it. But there are secrets Nick must keep, from Sarah and his daughter. Secrets that could destroy everything he hopes to build. Can their second chance survive new secrets?

Here are the buy links.




Stefanie London has some wonderful books for you to choose from and some recent titles to be released soon. Here’s her website:

Kadee McDonald has another sweet PAWS romance out! You can find it here:

Healing Two Hearts book cover

I hope you find some new authors to try. If you have friends that might be interested in these stories please pass on the information!

I’m working on a few projects (still!) but am doing my best to have something out this summer.

Hugs to all!

Tambra Nicole

Tambra Nicole Kendall: New Workshop at Savvy Authors in January 2015


I’ll be teaching a month-long workshop, Weaving Together Characterization and Plot at Savvy Authors. It’s from January  15,2015 to February 8, 2015. Characterization and Plot aren’t separate and somewhere in the middle they muddle together to form a story. If your characters are weak, unmotivated and flat, the reader/agent/editor isn’t going to care.

A predictable plot likewise will make the reader/agent/editor feel like they’ve wasted their time. Learning how characterization and plotting affect each other plus other methods such as GMC, the difference between plot and story, and how to avoid a sagging middle are areas addressed in the workshop.

Understanding and learning these areas of writing can help when you’re editing. How? By having the knowledge to identify specific character issues and plot problems you’ll know what to do and how to fix them while saving time in the whole writing process. Let me point out, if you’re at the beginning stage of your writing journey this is something for you to work toward.

I have taught genre fiction creative writing online and on site at my local college since 1994. In the past, I was a content editor for a few e-publishers and small press. Teaching is something I enjoy and my goal is to share some of what I know to help other writers.

I do hope you’ll join me for this workshop at Savvy Authors. If you know anyone who would be interested please pass this information along.

Savvy Authors is a wonderful writer’s resource. I taught for them a few years ago and I’ve taken some amazing workshops there too. They offer a wide range of topics, price ranges and time lengths. Here’s the link:

If you click on the calendar in the upper right when you reach the workshops, click on January and scroll down until you reach January 12. My workshop is the second one I believe. There is a place that says register.

Start off 2015 by taking a workshop that will help you reach your writing goal. Characterization and plotting are essential elements of fiction writing.

All the best! Tambra Nicole Kendall

Plot? What plot?


By Tambra Nicole Kendall


This information is taken from one of my writing courses on plotting.

Plotting comes easy for some people, for others it can be a struggle. Some writers have said I can only write about characters, I can’t plot. I say, yes you can and you’re already doing it. A little further down you’ll understand why I say this.

I’ve heard over the years that the plot is the skeleton of the story, the backbone that holds everything else in place. In the beginning this helped a little bit but plot scared me. I didn’t really understand how it worked with characterization. Once it all clicked into place, I discovered I loved to plot.

You can have great protagonist and antagonist but if you don’t have a good plot how can they shine? Know Thy Character.

If you don’t know your characters intimately how can you write about any aspect of the life you’re creating for them?

What is plot anyway?

The best definition of plot I’ve found is from 20 Master Plots (And How to Build Them) by Ronald B. Tobias.

He defines plot this way. “Plot is story that has a pattern of action and reaction.”

But Tobias continues, “Plot is a chain of cause-and-effect relationships that constantly create a pattern of unified action and behavior. Plot involves the reader in the game of “Why?”

 When I first began writing, I clearly separated plot and characterization. Due to my lack of understanding, I had no idea how closely they work together until years later.

 Plot and characterization are woven together in a tight weave. You can’t have one without the other.

No conflict = no characterization = no plot. You can’t have a plot without conflict.

What does plot do?

Plot gives unity and structure to a novel. Conflict unifies the narrative work. We want order and logic in our writing. A unified action creates a whole, made up of a beginning, middle and an end. These are also called the three movements of dramatic action.

When you ask yourself, “What does my character want?” You’ve begun the journey of plot.

 The Beginning, the first phase of dramatic action is having a character want something leads to motivation. The want or need, is also called intent.

 The Middle, the second phase: Once the intent of the character is established then you’ve entered this second phase of dramatic action. As your story progresses, the action must rise, the stakes must become higher as well. Your character is pursuing their goal with actions coming from their want/need/intent. The action grows out of what happened in the beginning. Cause, now effect. The events are tied together giving a coherent thread for the reader to follow.

The End is the last phase and contains the climax, falling action and the denouement. The ending must be logical from the sequence of events you’ve written in the beginning and middle. The ending action must be done by the protagonist. The protagonist should not be acted upon.

You see, everything in your writing is there for a specific purpose, cause that leads to effect, which bring you to another cause. Anything that happens in the world you’ve created must be there for a reason and the story forward. By leaving scenes in that don’t further the plot, the story becomes diluted and it suck out the intensity, the dramatic effect you are working so hard to achieve.

 Plot and character are inseparable. Plot is the function of character, and character is the function of plot.

Characters come alive with action. Plot is a function of character, and character is a function of plot. You can’t have one without the other. What they share in common is the action you’ve created.

There is a logical connection (action/reaction) why a character makes one choice as opposed to another. But the character shouldn’t behave in a predictable manner, because it will be thrown into the realm of boring. Just because there is a logical connection between the cause and effect relationships doesn’t mean it has to be obvious. Also, when a character makes a choice there should be consequences whether it’s good or bad. Doesn’t this happen in real life as well? Of course it does.

We draw upon our experiences to create plot. This is why writers look for universal plot themes when they write. We all want/need love, acceptance, food, shelter. These are a few of the universal topics I’m talking about.

Another way to look at character and plot comes from the book “What If?” by Anne Bernays and Pamela Painter:   

How a character handles a situation by the way they choose to act, or not act in some cases, moves the story forward into plot. The particular situation your character is in grows from the beginning point where their life is shifted from normal. Then complications rise, each time escalating finally reaching the crisis point. Throughout this process, the character’s self-concept is revealed and threatened which will blend right into your plot.

I hope you can see how plot and character work together, play off of each other to bring the story alive on the pages you’ve written. I would love to hear you thoughts on plot!

Tambra Nicole